Capturing Time: Panoramas of old Australia by Edwin Barnard
Day Shift – 21/08/2012 – 02:10 PM
Presenter: Carol Duncan
Interviewee: Gionni Di Gravio, Archivist, Newcastle University
University of Newcastle Archivist Gionni Di Gravio discusses a number of recent publications, cyber projects and TV shows that are now starting to place Newcastle and its narrative history on the National and International stage, with particular reference to the recent book yet to be published by the National Library of Australia entitled Capturing Time Panoramas of old Australia by Edwin Barnard.
Broadcast Notes:
In 2010 we prepared a series of Newcastle panoramas for an exhibition in the University’s Cultural Collections in honour of NSW Surveyor General Sir Thomas Mitchell (see the Mitchell 1828 Exhibition). One of these panoramas was of Newcastle circa 1825, painted of the scenes all along George Street (now the present day Watt Street) by, who we believed at the time was Sophia Campbell, and now since has been attributed to Morpeth pioneer Edward Charles Close.
The researcher who alerted us to the separate images in the sketchbook as constituting a ‘panorama’ was Mr Mark Metrikas, and after we ordered all the digital images, we digitally joined them together. The result was the following:
Edward Charles Close – [Panorama of Newcastle] c.1825
Courtesy of the National Library of Australia
Click for the larger image
The Panorama above is constituted of the following paintings in Sketchbook of scenes of Sydney, Broken Bay, Newcastle and region, New South Wales, 1817-1840, (Courtesy of the National Library of Australia) once attributed to Sophia Campbell, now Edward Charles Close, 1790-1866 (Thanks to Mark Metrikas for identifying this find)
The individual paintings that make up this Panorama from the Sketchbook are listed in order from left to right:
(1) Commandant’s house from in front of the old gaol, Newcastle, New South Wales, ca. 1828 [picture]
(2) Dwellings, fenced land and the windmill on the hill, Newcastle, New South Wales, ca. 1820 [picture]
(3) Barracks with Christ Church in the distance, Newcastle, New South Wales, ca. 1820 [picture]
(4) Dwellings and buildings in Newcastle, New South Wales, ca. 1820
(5) View over buildings towards the signal mast and Nobby Head, Newcastle, New South Wales, ca. 1820.
With collaboration from the University of Newcastle’s Coal River Working Party members Ann Hardy and Russell Rigby the panorama above is one of 23 historical panoramas published in a forthcoming book by Edwin Barnard.
In addition Newcastle will feature as one of the cities in the forthcoming TV Series from Tony Robinson’s Time Walks. Newcastle will be Episode 5 and the world premiere of the series starts on the History Channel Mondays at 7.30pm from September 10 to November 12. The Newcastle Episode 5 – Approximate Air Date is Monday 8th October 2012 at 7.30pm.
We worked closely with the producers and researchers for the show providing information from our blogs, Snowball images from our Flickr site and expertise from the Coal River Working Party.
Day Shift – 18/05/2010 – 02:10 PM
Presenter: Carol Duncan
Interviewee: Gionni Di Gravio, Archivist, Newcastle University
University of Newcastle Archivist Gionni Di Gravio discusses the new forthcoming exhibition of Natural History Illustration works, surveying reports and early Newcastle Panoramas on display at the University of Newcastle’s Cultural Collections in the Auchmuty Library. This is a rich physical and online display of the University’s engaged interdisciplinary research highlighting the historic natural beauty of the Novocastrian landscape.
Broadcast Notes:
Back in September 2008 a manuscript came to light in the State Library of New South Wales containing the first recorded mention of the Aboriginal name of Nobbys as ‘Whibayganba’. In addition, the 1828 field book of Sir Thomas Mitchell, Surveyor General, contained three sketches of Newcastle drawn from the top of Fort Scratchley looking towards Nobbys, then looking towards Prospect Hill (Now Obelisk Hill), then another taken from the top of the Windmill (now Obelisk Hill) looking back towards Newcastle. These three important sketches are reproduced here:
At the time, the Coal River Working Party immediately enlisted the assistance of Emeritus Professor John Fryer in Surveying to ask whether he could examine the survey readings and compare them with those of Australian Agricultural Company surveyor John Armstrong Survey in 1830.
We believed that this Field book would also be of interest to art historians wanting to compare the actual perspective readings with the colonial art portrayals of the township. So we also asked Dr Anne Llewellyn whether her Natural History Illustration students would be interested in ‘colouring’ Mitchell’s sketches and bring them to life.
This was a perfect opportunity to spark an interdisciplinary ‘science meets the arts’ research approach to these important historical works.
Professor Fryer asked two final Surveying Students to examine Sir Thomas Mitchell’s sketches and survey readings in order to decipher them into lay person’s terms. After a year’s work those two final year students, Mr Chris Towers and Troy Sumner, prepared a report on their findings which they presented at two seminars held on Friday 6 November 2009 (to their Surveying Colleagues), (see the following three You Tube videos from the Presentation – unfortunately we did not capture the whole seminar):
and then at a meeting of the Coal River Working Party on the 7 December 2009. (This is an edited version with the second half of the Presentation and Questions):
Dr Anne Llewellyn’s 2nd Year Natural History Illustration students researched the content of Mitchell’s sketches and together with field observations, developed a ‘reconstruction’ of Mitchell’s drawings based on the ‘now known’ plants and animals of the region. Here is a video from their Presentation before the Coal River Working Party on the 7 December 2009, and a selection of their beautiful art works with some details.
The Work of Sir Thomas Mitchell examined and analysed by University of Newcastle Surveying Students Chris Towers and Troy Sumner
The Full Report and Summary prepared by Chris Towers and Troy Sumner of the University of Newcastle’ Discipline of Civil, Surveying & Environmental Engineering for the Coal River Working Party was placed on the Coal River blog here:
[Sir Thomas Mitchell 1828 Newcastle Survey Report – Full Report and Summary]
Then; Newcastle in 1828 from Signal Hill (now Fort Scratchley) by Sir Thomas Mitchell
2009
Fort Scratchley Panorama by Chris Towers
1828
Then: Newcastle from the Windmill (now Obelisk Hill) (1828) by Sir Thomas Mitchell
2009
Obelisk Panorama by Chris Towers
NEWCASTLE’S BEAUTIFUL ARTISTIC LEGACY
To celebrate the achievements of this work, the University of Newcastle’s Cultural Collections in the Auchmuty Library has prepared an exhibition of the student’s artworks, as well as a collection of reproductions of Newcastle painted panoramas from various stages in its history, including the Mitchell 1828 sketches, to be displayed. Some of the Panoramas below have never been seen before.
T.R. Browne (1812)
T.R. Browne (1812)
Browne, T.R. (1776 – 1824). Newcastle, in New South Wales, with a distant view of Point Stephen,1812 and
View of Hunters River, near Newcastle, New South Wales, 1812. Copper Engraving.
Photographer: Bruce Turnbull. Courtesy Newcastle Region Art Gallery.
Edward Charles Close – Newcastle 1818
Edward Charles Close (1818)
Sketchbook 1818
Now attributed to Edward Charles Close. Courtesy National Library of Australia.
Edward Charles Close (1821)
Edward Charles Close (1821)
Panorama of Newcastle 1821.
Panorama of Newcastle : watercolour drawings by Edward Charles Close.
Courtesy State Library of New South Wales.
Edward Charles Close (c1825)
Edward Charles Close (c1825)
The Panorama above is constituted of the following paintings in Sketchbook of scenes of Sydney, Broken Bay, Newcastle and region, New South Wales, 1817-1840, (Courtesy of the National Library of Australia) once attributed to Sophia Campbell, now Edward Charles Close, 1790-1866 (Thanks to Mark Metrikas for identifying this find) The individual paintings that make up this Panorama from the Sketchbook are listed in order from left to right: (1) Commandant’s house from in front of the old gaol, Newcastle, New South Wales, ca. 1828 [picture] (2) Dwellings, fenced land and the windmill on the hill, Newcastle, New South Wales, ca. 1820 [picture] (3) Barracks with Christ Church in the distance, Newcastle, New South Wales, ca. 1820 [picture] (4) Dwellings and buildings in Newcastle, New South Wales, ca. 1820 (5) View over buildings towards the signal mast and Nobby Head, Newcastle, New South Wales, ca. 1820.
John Rae (1849)
John Rae (1849)
Rae, John, 1813-1900. Newcastle in 1849.
Courtesy State Library of New South Wales.
William Keene (1854)
William Keene (1854)
William Keene (Examiner of Coal Mines)
Copy of Stratigraphic sketch from Nobby’s Island Newcastle to Burwood, showing coal seams and their Order of Superposition. 31 May 1854.
Photographed by Bruce Turnbull. Archives Authority Map No. SZ325 (Courtesy State Archives of NSW)
John Rae – Photograph (c1880)
John Rae (c.1880)
Rae, John, 1813-1900. [Panoramic photograph of Newcastle, 1878-1882, possibly taken from Jesmond House] — 4 albumen photoprints
from Sketches in New South Wales in the olden time 1842 – 1859 by John Rae, M.A. / album of watercolour panoramas and photographs of watercolour sketches.
Courtesy State Library of New South Wales.
On behalf of the University’s Cultural Collections (Auchmuty Library) and the Coal River Working Party we congratulate Emeritus Professor John Fryer, Dr Anne Llewellyn and their students for their work, and the wonderful new insights it has brought to the study of our history and artistic legacy.
Special Collections, UON Library 