Seeing the Shadow

 

 

PETER TILLEY WEB INVITE

Peter Tilley, Seeing the Shadow II 2017, painted cast iron on polished stainless steel, 43 x 78 x 15 cm.

Peter Tilley

Seeing the Shadow
21 MARCH – 14 APRIL 2018

The elusive, insubstantial nature of the shadow lends itself to metaphor, myth and legend, with its significance contemplated by human consciousness throughout history. Shadows appear as essences of the soul – the externalisation of the inner self – as guides or advisors. In Jungian psychology, shadows contain parts of ourselves that are suppressed, denied, or unfavourable.

For his PhD research, Peter Tilley examines the theory and philosophy of shadow,
developing and utilising an array of materials, found objects, symbols and methods that
enable the construction of shadows to visually or symbolically disclose fundamental traits and mnemonics of the ‘casting’ figure.

The resulting sculptures become complex representations that explore illusions of certainty, memory and imagination – the mysteries of the unknown – and the fundamental identity and attributes of the figure/self.

PLEASE JOIN THE ARTIST FOR THE EXHIBITION OPENING AT
THE UNIVERSITY GALLERY
SATURDAY 24 MARCH AT 3PM

Peter Tilley is represented by May Space, Sydney

PETER TILLEY WEB INVITE

Watt Space Exhibitions

Watt Space 22 February 2018

WATT SPACE GALLERY

EXHIBITIONS

21 February – 11 March 2018

OPENING LAUNCH

Thursday 22 FEB from 6:30pm

  • LIBBY ECKERSLEY – Preparations and de-articulations has the artist working in the context of the gallery space and its visitors to research how these interactions inform decision making and information processing
  • COURTNEY HEFFERNAN – Fanciful Notions investigates childhood rituals, myths and legends that are the essence of human experience, and explores imagination through the rediscovery of story telling.
  • MEGAN MCCARTHY – Fractured Feminism questions the divide between the Feminine and the diverse ideas of Feminism. It represents shattered illusions and stands as a metaphor for resilience and strength.
  • ANNIKA THURBON – I do look like this, I don’t look like this presents self portraits that explore my warped perception of self and the way my mind and my body change from week to week.

Download the Watt Space Invitation 22 FEB 2018

 

Re-stitching Culture

RE-STITCHING CULTURE Doll-making in indigenous cultures

IMAGE: RE-STITCHING CULTURE DOLLS 2017 LEFT – RIGHT Aunty Audree Trindall, Audrey, Aunty Pearl Slater, Mum (Eileen), Arlettha, Johnny, Aunty Shirl Weatherall, My younger self (Shirley), Lyniece Keogh, Will & Tom. Fabric, yarn, threads and filling. Image courtesy Tess Reading

RE-STITCHING CULTURE

Doll-making in Indigenous Cultures

21 FEBRUARY – 18 MARCH 2018

Doll-making is an intrinsic part of many Indigenous cultures across the world, including communities in Australia, Canada and South Africa. In all three cultures, doll-making represents a transfer of cultural knowledge, the building of capacity, and the reclaiming of Indigenous identity, on both a local and a collective level.

The benefits of these outcomes are important to supporting health and wellbeing in Indigenous communities. RE-STITCHING CULTURE showcases examples of doll-making from three Indigenous groups that continue to strengthen their local communities. Specifically, the Gomeroi Yarning dolls (Australia) which encourage the sharing of oral personal narratives; the Six Nations Cornhusk dolls (Canada) to promote the transmission of cultural teachings; and the Siyazama Zulu dolls (South Africa) used to create community support networks through locally relevant HIV/AIDS awareness.

PLEASE JOIN VICE-CHANCELLOR PROFESSOR CAROLINE MCMILLEN FOR THE LAUNCH
THURSDAY 22 FEBRUARY FROM 5:30PM
UNIVERSITY GALLERY

RE-STITCHING CULTURE is supported by the NSW Government through Create NSW, and is a joint project between the Tamworth Regional Gallery, the Gomeroi Gaaynggal Arts Health Program, and The University Gallery, University of Newcastle.

Information needed

Railway

This is a request for information from the many railway enthusiasts out there on the Net. This photo is from the Australian Railway Historical Society (NSW)’s collection and a couple of people have given their opinion re the location.

The full sized photo is at http://livinghistories.newcastle.edu.au/nodes/view/12028

One view is that it may be “Clyde Engineering Sheds, Sydney, NSW”. Another site visitor commented that  “I do not think this is Clyde Engineering, I spent twenty five years working at Clyde, I think it maybe Tullochs of Rhodes…RD”

If you can give us a definitive answer please leave a comment or email us at archives@newcastle.edu.au

 

Mystery to be solved

Here’s a mystery for our intrepid historian colleagues.

We would like to know something about the soldier in this photo. Unfortunately, time and other hazards have obscured his face, but we are hoping that someone out there on the Internet may be able to identify his regiment or other army group. We have uploaded a 1200 DPI scan of the full photo to our Flickr site – https://www.flickr.com/photos/uon/39735029291 and 4800 DPI scans showing detail of his shoulders and calves in the hope these may help in the identification.

If you can identify the uniform or unit, please contact archives@newcastle.edu.au

Mojgan Habibi : Behind the words

Mojgan Habibi : Behind the words

MOJGAN HABIBI
BEHIND THE WORDS

31 January – 18 February 2018

Mojgan Habibi’s PhD research is concerned with the use of text by politically motivated Iranian visual artists. Hidden or secondary meanings contained in prose become more evident in times of political or religious censorship, and the use of text in contemporary art can direct the viewer to content beyond the literal meaning. The works in Habibi’s PhD research exhibition, Behind the Words, use metaphor, allegory, poetry and references to Persian mythology and history as vehicles to discuss contemporary Iranian politics. Habibi’s carefully crafted objects and installations are made from clay, some are fired, and all contain textual references ranging from Persian script to abstract calligraphy.

PLEASE JOIN THE ARTIST FOR THE EXHIBITION OPENING AT
THE UNIVERSITY GALLERY
SATURDAY 3 FEBRUARY FROM 1PM
TO BE LAUNCHED BY DR CHRISTOPHER ALLEN

BHP Memories

Final march out down David Baker Road, Night Mechanic’s Office in left Background & Machine Shop on right
30th September 1999

There are now 265 historic photos from Bill Ruddick’s great collection online, including some of the last days of BHP Newcastle. You will be pleased to know that there are many more to come!

Comments, additions, stories. geotags are all welcome and encouraged! See these instructions if you would like to help us.

Tip: When you sign up as a member, don’t be concerned if you don’t get an auto reply from the system. You will be signed up automatically as soon as you submit the form. If you have any difficulties, please email archives@newcastle.edu.au