CONSALVO | LANKAS | MAHER

Poster

Paul Maher, Suburban Opera, (detail), oil on canvas. 170 x 119 cm.

CONSALVO | LANKAS | MAHER

Curated by Ahn Wells – Director, Gallery 139

The University Gallery is delighted to collaborate with Gallery 139 to present CONSALVO | LANKAS | MAHER, an extensive exhibition profiling the work of three Gallery 139 artists, Dino Consalvo, Peter Lankas and Paul Maher.

Building on the success of CONSALVO | LANKAS | MAHER at the Depot Gallery in Sydney in 2016, curator Ahn Wells has recontextualised the exhibition for the University Gallery, bringing together new works from their studios that focus on practice and continual improvements in defining and refining subject matter, materiality and process.

The three artists live and work in Newcastle and their works respond to the environment in different ways. These artists each employ their own unique visual language to reflect on the landscape around them, whether suburban, urban or natural. Through working and exhibiting together, they as a group enjoy a collegial frankness in their discussions that brings a freshness to these independent approaches and evident mastery of medium.

The University Gallery, in conjunction with Gallery 139, will present workshops and conversations with the artist – please see our website for details.

EXHIBITION DATES

15 FEBRUARY18 MARCH 2017

Please join the artists at the University Gallery for the Exhibition opening
SATURDAY 18 FEBRUARY
FROM 2PM

2016 Margaret Olley Postgraduate Scholarship

2016 Margaret Olley Scholarship

Friends of the University of Newcastle

2016 Margaret Olley Postgraduate Scholarship & 2016 Student Art Prize

The Friends of the University of Newcastle play a vital role in the development and support of scholarships for the university and fundraise, mainly through the  biennial Book Fair, for the university and its community.

This year, the Friends of the University of Newcastle are again sponsoring the 2016 Student Art Prize. Two winners will be awarded $1,000 each, and their work  will be acquired for the university’s art collection. The Student Art Prize assists  in the growth of the university’s art collection, ensuring that it remains relevant to  our region with contemporary work for future generations to enjoy. The judges for  the 2016 exhibition are Dr Una Rey, artist, curator, and lecturer in Art History and Theory, and Newcastle-based artist, James Drinkwater, winner of the 2014 Brett Whiteley Travelling Art Scholarship and finalist in the 2016 Sir John Sulman Prize.

The Friends of the University of Newcastle also sponsor the annual Margaret  Olley Postgraduate Scholarship, named in honour of distinguished Australian  artist and philanthropist Margaret Olley. The scholarship was created to support  exemplary postgraduate research in the creative industries, and the successful  recipient in 2016 will receive $2,000 to assist them in their work.

The exhibition at the University Gallery will display the finalists of both the  Student Art Prize and the Margaret Olley Postgraduate Scholarship, with awards announced at 5:30pm on Thursday 22 September.

Please join us for the exhibition opening at the University Gallery to be launched by Deputy Vice-Chancellor Academic, Professor Andrew Parfitt:

Thursday 22 SEPTEMBER from 5:30pm

Shade: Artists of the desert

 

Shade Artists of the desert

SHADE
Artists of the desert

EXHIBITION: 6 July – 6 August 2016

The University Gallery

Remote desert communities in the heart of Australia are home to some of our country’s most successful artists. Beginning in Papunya in the early 1970s with the exploratory transfer of ceremonial mark making onto board and canvas, there emerged an explosion of works made using vibrant acrylic paints, potent symbology and diversity of line and form. This unique contemporary art movement has now been active for over 40 years.

Contemporary art from these regions illuminate the unique experience of the desert: its light and shade, its contours, its gifts and adversities, its deep running songlines and sacred beauty. Artists render themes connected to place and belonging in ways that bring Country, Tjukurpa (Law), creation stories and the landscape, to life. Places of both sacred and everyday meaning are embodied in vibrant articulations that shimmer with colour and power.

Drawing on works from the University Art Collection, Shade celebrates this richness through paintings that range from across the Central and Western Deserts, to Kintore, Yuendumu and the Kimberley region. The University Gallery will, in conjunction with the artists of Warlukurlangu, have paintings for sale during the exhibition.

Please join us for the exhibition opening at the University Gallery to be launched by Una Rey:

Wednesday 6 July from 5.30pm

(in)visible art

(in)visible art exhibition

(in)visible art: conspicuous making in an age of nano textiles

MEREDITH BRICE COPLAND

MPhil EXHIBITION: 15 JUNE – 2 JULY 2016

THE UNIVERSITY GALLERY

 

Please join the artist for the opening

WEDNESDAY 15 JUNE FROM 5:30 PM

Memorials, icons and signs

 

Chris Capper A3 Poster
memorials, icons and signs

Chris Capper

EXHIBITION DATES

15 June – 2 July 2016

The University Gallery

Chris Capper’s meditative paintings offer a space for contemplation and reflection. His evocative compositions are careful considerations of form and space, yet are not committed to precise definition. Vibrant orbs imply flowers, while interiors are mapped in abstracted geometry, both recurring motifs throughout his works.

memorials, icons and signs presents a survey of practice. The paintings selected for this exhibition touch on themes of loss, memory and hope. Like diary entries, they follow a painter’s intimate journey through the highs and lows – from the everyday to the profound.

Colour is harnessed as an emotional trigger; works bloom with a vibrant contrasting palette or are muted to convey a sense of sorrow about time passing, but with recognition for beauty and completeness. His paintings made in memorium are poignant with meaning through his deft touch.

Inhabiting a space between representation and formalist abstraction, Capper has a rare facility for the human condition that becomes poetic when he tells a story on canvas.

Please join the artist for the opening

WEDNESDAY 15 JUNE FROM 5:30 PM

ID needed

Please help us to identify a couple of photos

Helen Myers, one of our wonderful volunteers, has just finished scanning and uploading 44 images from the Goldthorpe Glass Plate Negatives Collection. Some of our viewers have kindly identified some of the Tasmanian railway photos. However, we need some help with a couple of others.

The first one is a street view of a small town with some cars in front of shops. If you view the full sized photo by clicking the one below, it is possible to see the number plates.

 

The second is a photo of John Albert Goldthorpe’s garage in Auburn, NSW. The vehicle in the foreground is interesting, and we are hoping someone can tell us about it. If you can give us any information about either photo, please comment, or send us an email to archives@newcastle.edu.au

 

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